Concentrated, collection for Sruli Recht

 PREVIEW

Sruli Recht A/W13 Collection, CONCENTRATED presented at Paris Fashion Week including the mineral and resin jewellery collection I produced with him. Other materials include Icelandic down, Japanese denim and heavy satin, goat skin, walnut wood, cashmere rib, metal mesh, Austrian felt, Scottish waxed cotton, viscose jersey, wool and modal jersey, silk and cupro shirting, shearling, pixelated rabbit fur, and Italian wool suiting, providing a rich variety of intriguing trextures.

Here is a preview from the lookbook. 

“This collection is completely burned.” - Sruli Recht, January, 2013. The collection in three words – facetted, charred, smoking.

Black Ring, Pyrite & Resin

Wood & Leather jacket, Sruli Recht & Elisa Stroyk

Black Double ring, pyrite & resin

Asymetrical Ring, Resin & Pyrite

White ring with bornite specimen 

Asymmetrical white ring with bornite mineral

Double finger faceted ring with peacock ore specimen

More on the collection at Dezeen and further details at www.srulirecht.com

Desert Varnish

This new year I have started a palaeontology course which I am enjoying enormously. Instead of just reading things up in my own books, being taught about these processes in so much depth means being able to ask questions about these wondrous transformations and really understand from a microscopic level what is going on to make these amazing specimens. It also means meeting and sharing this interest with some really nice people. Today, Annie from the course brought in a specimen of fossilised wood she picked up in Libya amidst a whole desert of stoic looking petrified timber monoliths.

Petrified Wood from Libya found by Annie

Broken pieces of fossilised tree trunks. Image courtesy of Temehu http://www.temehu.com/Cities_sites/sahara-fossilised-forest.htm

Petrified wood gnarled edge

These burnished edges you can see are polished up in a process called "desert varnish" where dew from cool desert nights when the temperature plummets and manganese carried in the harsh winds coat and polish up portions of the fossilised wood.

I have previously tried to emulate this textured surface in my work, (Black Beam ring below) contrasting rough and organic with burnishing, so it was great to get my hands on an actual weighty specimen of it rather than through the glass of cabinets or photos. It really was so smooth and flint-like after the organic matter in the wood had been replaced by minerals whilst it was trapped deep under the ground for millions of years. I will look forward to trying some more experiments in the workshop now I have handled a piece up close and my hands have experienced the real surface.

Black Beam ring 2012

Resin, oxidised silver, hand polished copper metallic lustre.

Purchase details available at Not Just A Label http://www.notjustalabel.com/shop/46919